《原子之心 Atomic Heart》Mundfish CEO Robert Bagratuni專訪: 沉浸感優先，提倡玩家配裝自由

隨著《原子之心》的推出，我們先前在臺北電玩展和《原子之心 Atomic Heart》Mundfish CEO Robert Bagratuni的專訪也終於獲得解禁啦！下面為尼未亞的獨家專訪：

Q:必須說我們很久沒有看到這樣帶有震撼感的世界觀，想知道製作組對於製作這麼一款以蘇聯美學設計的遊戲時，有沒有什麼細節是你們特別關注的？
It has really been a long while since we've seen such an amazing world setting in games. Are there any specific details that the team had been focusing on perfecting in the game?

A:本作的設定是真的很有趣，我們呈現本作的主要方式是透過創造沉浸感，在營造環境方面，我們的方法和大部分游戲的開發順序不一樣，不是首先進行關卡設計開始開發，而是從相反的部份開始，可以說這是蘇聯實驗室的模擬器，因為它的製作非常精細，每個實驗室，每條走廊，每扇門， 一切都設計得像現實生活中的樣子。 包括開放世界，樹葉，地下迷宮，等等元素都是按照現實中的設計來創造的。
而在設置完所有這些環境之後，我們將所有的事件都放在了遊戲中，這就是為什麼本作所帶來的沉浸感如此之高的原因，因為當你開始玩的時候，你會立即感覺到一切都是真實的，每一個細節都很到位 。
The setting is really interesting, our approach is to create such kind of immersion, in terms of environment, our approach was not to go first for the level design as how typical in how other games are made, there are some white boxes with some mechanics inside, and after playtesting it, the design is pulled over these white boxes and the game development begins.
But our approach is from the opposite part, we can say that this is a simulator of a USSR laboratory,because it was made with super detailed precision, every lab, every corridor, every door, everything is designed like how it was in real life. Including the open world, all the leaves, all the underground dungeons, everything was created in the meaning of the real life design.
And after setting up all these environments, we put all the events inside the game, and that's why the level of immersion is so high, because when you start playing, you'll immediately feel that everything is realistic and every detail is in its place, this is very important.

Q:雙子機器人這樣的設計背後有著什麼內涵意義嗎？
Are there any deeper implications behind the design of the Twin robots as shown in the showcase videos revealed recently?

A: 正式進入遊戲之後就會知道，當你看到它們時，你會發現它們具有可以修改的關節和機構。 雙子的某些部分可以在遊戲中使用，所以請自行進入遊戲尋找答案！
You will know it from the game, when you see them, you'll see that they are model designs, with joints and mechanisms that can be modified. Some parts of the twins can be used in the game, so do hop on to the game and seek it out yourself.

Q:在先前公佈的預告中我們看到了本作的戰鬥系統是以近戰、遠程以及類似魔法這樣的元素攻擊組成的豐富刺激的戰鬥風格，製作組是怎麼進行三者之間的平衡，初次接觸這個系統的玩家會不會手忙腳亂呢？
As we've seen in the recent gameplay reveals, the combat system seems to take on an adrenaline-packed mixture of melee, ranged and even elemental or somewhat tech-magical aspects. What was done to balance these 3 combat elements, while ensuring that players that are new to the genre get to enjoy a smooth gameplay as well?

A:在游戲的平衡調整方面，我們做了幾十次遊戲測試，從中改進了攻擊時機、冷卻時間、平衡、彈藥消耗量、能量消耗。我們在過去幾個月裡一直在著手研究本作的平衡，每週測試幾次，至少 10 人或平均 15~20人在確保達到高滿意度的情況下進行測試和改進，我們希望達到一種情況給予玩家玩家足夠多的器具和手段，讓他們自由摸索，該如何搭配裝備組合，並根據他們想要達到的游玩體驗去塑造自己的戰鬥風格。
例如，如果玩家想要更具防禦性，他們可以考慮使用盾牌和遠程武器，但如果他們想要著重於進攻，他們可以重新安排他們的技能，重置所有技能不需要任何費用，玩家的全部技能資源都會全額歸還，無需任何費用或代價。這讓玩家可以自行試驗各種不同的技能樹，從而更精確地選擇玩家想要玩法。
We made dozens of playtest, improving the timing, cooldowns, balance, how many ammo should be spent, energy costs, we worked over this balance for the past few months, testing few times a week with at least 10 or in average 15~20 person focusing on the improving and testing to a high level of satisfaction, we want to achieve this situation where we just give enough instruments to the player, and let them explore, how to combine them, and get their own playstyle based on what they want to achieve.
For example, if they want to a more defensive build, they can use shields, ranged weapons, but if they want to go on the offensive, they can rearrange their skills, resetting all the skills doesn't cost anything, you'll just get the full skill resource refunded without any costs.This lets the player to experiment for themselves the different skill trees, which leads to a more precise or choice of what the player wants to achieve.